An archive of Hindi movie reviews and ratings from 2010 to 2020.

critic

Anupama Chopra

Highest rating for
Lowest rating for
Number of reviews
408
Average rating
46

Order by

Date

Title

Rating

  • Pari

    ...asks the big question – are human beings in fact the biggest monsters? I say the biggest horror is a lame script.

    39

    Mar 2018
  • Prince

    ...is the funniest Bollywood movie I've seen this year. I laughed so hard that my sides hurt. Only I don't think that's the reaction debutant director Kookie V Gulati was aiming for.

    39

    Apr 2010
  • Ok Jaanu

    Shaad doesn’t add anything to the narrative and the leads aren’t dazzling enough to distract us from the inherent flaws — like the repetition and predictable ending.

    39

    Jan 2017
  • Tees Maar Khan

    In Tees Maar Khan, everyone is overacting as though life depends on it. There is a lot of screaming, grimacing and heaving.

    39

    Dec 2010
  • Gulaab Gang

    For a real dose of women empowerment, watch Gulabi Gang, a terrific documentary on Sampat Pal, which is still running in select theaters. Gulaab Gang is the masala remix.

    39

    Mar 2014
  • Phoonk 2

    ...characters are supremely dim-witted and even the frights are too few and far between. One of the pleasures of these type of horror films is guessing which character will be bumped off first and how. But Gadagkar’s killings don’t show any flair or imagination. The horror is more Ramsay variety.

    39

    Apr 2010
  • Street Dancer 3D

    For the running time of this film – two hours and twenty-four minutes – people are pirouetting, leaping, flipping, contorting and moving their limbs in impossible ways. Watching them, I thought – if the script was half as nimble as these gifted people, this film would have been a smash. Sadly, that is not the case.

    39

    Jan 2020
  • Anjaana Anjaani

    ...has a flatness that is unique. The screenplay, co-written by Siddharth and Advaita Kala from a story by Mamata Anand, goes nowhere fast.

    39

    Oct 2010
  • Khandaani Shafakhana

    The film wants to be funny but the writing is too weak and the feeble jokes are underlined with loud background music, cueing us to laugh. The film also wants to deliver a serious message about the importance of being open about sex – so entire scenes play out like public service announcements, in which characters espouse the cause.

    39

    Aug 2019