An archive of Hindi movie reviews and ratings from 2010 to 2020.

publication

Firstpost

Highest rating for
Lowest rating for
Number of reviews
259
Average rating
43

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Date

Title

Rating

  • Tanu Weds Manu Returns

    ...is half a good movie, and half a dunderhead. If you consider both halves of this movie like a couple, then one of them surely needed to give some love and affection to the other before the fuse blew.

    49

    May 2015
  • Panipat

    ...is shorn of Padmaavat and Kesari's insidious intent, but it is not exactly an innocent, truthful chronicler of Indian history. Add to that its lack of polish and spark, and for all its occasional positives, it ends up as just an average affair.

    39

    Dec 2019
  • Mohalla Assi

    ...is less cinema and more textual. The small things and little metaphors are more impactful than the bombastic monologues which dominate this taxing and ponderous chronicle.

    39

    Nov 2018
  • Munna Michael

    Director Sabbir Khan and writer Vimi Datta have designed a film that is serviced by Shroff’s two skills – dancing and action. In spite of being predictable story with slack storytelling, Khan once again (Heropanti, Baaghi) showcases just what is needed to keep Shroff’s fans satisfied. Put in enough of these two elements and who cares about logic, story, acting or originality.

    39

    Jul 2017
  • One Day

    The story of a vigilante judge trying to bring justice once he has given up the duty of following the rule book had potential, but Ashok Nanda’s direction exposes flaws in the performances and tears open the already gaping holes in Alaukik Rahi’s story.

    39

    Jul 2019
  • Bhavesh Joshi Superhero

    While Motwane’s blueprint is derivative (you will think Kick Ass and Arrow), his thoughts and setting are localised enough to make this a convincing character within the genre. But the film’s flaw is that it’s trying to say too much and doing so at such a painful pace that much of a good intention is lost in execution.

    39

    Jun 2018
  • Malang

    A whole lot of time is wasted setting up the story; far less is assigned to unravelling the mystery or providing adequate backstory to all the characters.

    39

    Feb 2020
  • Dil Dhadakne Do

    For better or for worse, Dil Dhadakne Do quickly reveals itself to be a hipster version of a Sooraj Barjatya film. It’s pretty but artificial, with a tissue-thin story told through flat characters played by gorgeous actors.

    39

    Jun 2015
  • Tamasha

    ...is a film with ambitions of being mature and experienced. It creates an alternate reality for its principal characters and lets their emotions grow naturally to a point. But then the journey gets tiring for everyone concerned.

    39

    Nov 2015
  • Freaky Ali

    Though it’s called Freaky Ali, Siddiqui’s Ali is the least freaky of all the characters and his performance is the only reason this film is not a complete washout.

    39

    Sep 2016
  • Dil Juunglee

    ...the huge potential of two talented actors was completely wasted because the filmmakers decided to stick to the same old formulaic and cheesy way of making a typical Bollywood ‘love’ story.

    39

    Mar 2018
  • Bombairiya

    A sharper edit at script and film level would have helped somewhat, but not enough to raise this comedy, with a hue of blackness, out of its own disorderly screenplay which leaves too many loose ends and unanswered questions.

    39

    Jan 2019
  • Kesari

    Irrespective of what the 36th Sikhs' actual motivations were, obviously theirs was a historic last stand worthy of a film. When an honest army procedural could have had an impact, the team of Kesari chose instead to be a barely disguised propaganda vehicle and to chronicle this remarkable episode with self-defeating twists.

    39

    Mar 2019