An archive of Hindi movie reviews and ratings from 2010 to 2020.

publication

Firstpost

Highest rating for
Lowest rating for
Number of reviews
259
Average rating
43

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Date

Title

Rating

  • Baaghi 2

    It's not a well-structured film, and the story has many loopholes; the performances are over-the-top and the plot points convenient. However, some credit must be given to Baaghi 2 for staying true to its genre. If you're a fan of high-action dramas, you may just (gasp!) enjoy this film.

    49

    Mar 2018
  • Manjhi

    ...the movie falls into the trap of being overawed by its subject. It is a tad too reverential and overwritten, which dilutes the impact of an otherwise powerful story of the human will.

    49

    Aug 2015
  • Notebook

    ...is not perfect, but like the sterling Kashmir waterscapes in the film camouflaging so much turmoil, and captured here so beautifully by cinematographer Manoj Kumar Khatoi, it too is worth a visit.

    49

    Mar 2019
  • Dilwale

    ...wasn’t a tough film to salvage, and wouldn’t have been this unbearable, if Shetty had the basic skills to execute its most crowd pleasing bit — the chemistry between Khan and Kajol — superficially well.

    39

    Dec 2015
  • Vodka Diaries

    First-time director Kushal Srivastava's effort is evident as he attempts to make the most of this messy material, building suspense in some scenes, but dropping the pace in others.

    39

    Jan 2018
  • Mom

    While Sridevi and Nawaz deliver excellent performances, the plot and the story is line is too feeble. A mother taking revenge against the rapists of her step daughter — now that's a meaty plot if we were in 2005.

    39

    Jul 2017
  • Hunterrr

    Ladies, Hunterrr is a nightmare and gentlemen, this is not a date movie. No sensible woman is going to feel kindly towards Indian men after Hunterrr.

    39

    Mar 2015
  • Maatr

    ...while Tandon makes you feel her desperation, the script too simply and unintelligibly transforms her into a vengeance-seeking serial killer.

    39

    Apr 2017
  • Padmaavat

    How do you support a film that glorifies the very beliefs you don't stand for? Do you accept it as a portrayal of the times in which the film is based, or do you give into your disappointment?

    39

    Jan 2018
  • Shab

    ...should have augmented Onir’s oeuvre. Perhaps being based on a script written over a decade ago contributed to the feeling of datedness.

    39

    Jul 2017
  • The Last Color

    You could reassemble its striking images in practically any order, and you’d end up with a similar aesthetic experience. The film’s heart is in the right place, but touching anyone else’s feels like a chasm too wide to cross.

    39

    Dec 2020
  • Panipat

    ...is shorn of Padmaavat and Kesari's insidious intent, but it is not exactly an innocent, truthful chronicler of Indian history. Add to that its lack of polish and spark, and for all its occasional positives, it ends up as just an average affair.

    39

    Dec 2019
  • Mohalla Assi

    ...is less cinema and more textual. The small things and little metaphors are more impactful than the bombastic monologues which dominate this taxing and ponderous chronicle.

    39

    Nov 2018
  • Munna Michael

    Director Sabbir Khan and writer Vimi Datta have designed a film that is serviced by Shroff’s two skills – dancing and action. In spite of being predictable story with slack storytelling, Khan once again (Heropanti, Baaghi) showcases just what is needed to keep Shroff’s fans satisfied. Put in enough of these two elements and who cares about logic, story, acting or originality.

    39

    Jul 2017
  • One Day

    The story of a vigilante judge trying to bring justice once he has given up the duty of following the rule book had potential, but Ashok Nanda’s direction exposes flaws in the performances and tears open the already gaping holes in Alaukik Rahi’s story.

    39

    Jul 2019