An archive of Hindi movie reviews and ratings from 2010 to 2020.

publication

Firstpost

Highest rating for
Lowest rating for
Number of reviews
259
Average rating
43

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Date

Title

Rating

  • Chhichhore

    The writing of Chhichhore (by Tiwari himself with Nikhil Mehrotra and Piyush Gupta) is so lacking in depth, and the direction so passionless that it is hard to believe it is brought to us by the same person who made Dangal. Despite its sporadic bursts of humour, Chhichhore comes across as a half-hearted enterprise.

    33

    Sep 2019
  • Chhapaak

    ...means well, no doubt, but the screenplay is surprisingly thin – surprising because of Meghna’s brilliance with Raazi and Talvar. Combine that with plotline weaknesses, an excessive effort to stay low key and the unexpected shot at being a conformist fairytale in the end, and the result is a film that seems curiously detached from its heroine, despite the devastating true story that inspired it.

    49

    Jan 2020
  • Chauranga

    At best, Chauranga comes across as a typical art-house, festival film in its observation of rural Bihar and its grossly unfair social dynamics.

    29

    Jan 2016
  • Calendar Girls

    The script despite all its crassness, unimaginative situations, clichés and easy flights of fancy, does keep one hooked with constant drama and is far better than Bhandarkar’s last film, Heroine.

    49

    Sep 2015
  • Bombay Velvet

    ...what Bombay Velvet lacks in complexity, it ultimately makes up for with its sheer beauty. And if you think about it, that more or less sums up the mainstream genre, so perhaps on his first attempt at a blockbuster, Kashyap is on the right track after all.

    59

    May 2015
  • Bombairiya

    A sharper edit at script and film level would have helped somewhat, but not enough to raise this comedy, with a hue of blackness, out of its own disorderly screenplay which leaves too many loose ends and unanswered questions.

    39

    Jan 2019
  • Blank

    ...is a hit-and-miss. It is a great debut for Karan Kapadia though, who despite the presence of a seasoned actor in Sunny Deol, stands out as the star of the film.

    24

    May 2019
  • Bioscopewala

    ...the enormously evocative aroma of childhood nostalgia that floats through the film — its excesses balanced by the tender interplay between memory and forgetting involving a conflicted father-daughter relationship — and the strong performances, turn it into a poignant and heartfelt adaptation of a beloved tale.

    59

    May 2018
  • Bhavesh Joshi Superhero

    While Motwane’s blueprint is derivative (you will think Kick Ass and Arrow), his thoughts and setting are localised enough to make this a convincing character within the genre. But the film’s flaw is that it’s trying to say too much and doing so at such a painful pace that much of a good intention is lost in execution.

    39

    Jun 2018
  • Behen Hogi Teri

    Had Rao had a more skilled co-star, the chemistry might have been more believable rather than appearing ‘staged’. In fact the pitching of the performances is the second issue with the narrative (besides the wandering script).

    49

    Jun 2017
  • Banjo

    If you're going to watch Banjo, make sure that you do not buy a recliner seat, because you'll be signing up for a sleeping fest.

    19

    Sep 2016
  • Bajrangi Bhaijaan

    Does this simple story bordering on the dumb with a simpleton character work? Strangely, yes. Thanks to Khan’s uncharacteristic convincing performance and intelligent direction by the Ek Tha Tiger director who seemed to have forgotten his craft after his first film, Kabul Express.

    59

    Jul 2015
  • Badlapur

    ...feels vaguely familiar because the aesthetic and storytelling are so heavily inspired by modern Korean noir, in which everyday people reveal themselves to be capable of extraordinary cruelty. What Badlapur lacks, however, is their tautness.

    39

    Feb 2015