An archive of Hindi movie reviews and ratings from 2010 to 2020.

publication

The Hindu

Highest rating for
Lowest rating for
Number of reviews
524
Average rating
39

Order by

Date

Title

Rating

  • Chakravyuh

    ...is one of those films that makes us wish Jha had treated this like an arthouse film and taken the effort to humanise every character in a way we would empathise with their motivations and kept it real. But the way it plays out, it’s been done to death.

    39

    Oct 2012
  • Wazir

    Despite starting off promisingly with slick production values and good performances to boot Wazir unravels badly, especially in the second half as it heads towards the climax.

    39

    Jan 2016
  • Dabangg 3

    ...has a wisp of a story told in a tawdry, slipshod way. It depends entirely on the goodwill and popularity of the original and the star power of Salman Khan to sail through.

    39

    Dec 2019
  • Kaabil

    ... in the second half, the film becomes a usual revenge saga, marginally more engaging than deathly dull, dreary and deadening first half.

    39

    Jan 2017
  • Dhadak

    Universally, teenage love is rebellious, radical and effective because of its tenderness. That sense of fragility is missing in Dhadak’s narrative. Instead, there’s a feeling of artificiality to their romance...

    39

    Jul 2018
  • Photograph

    ...I was also left feeling a sense of void and dissatisfaction, in that it barely scratches the surface of what could have been a far deeper engagement.

    39

    Mar 2019
  • Go Goa Gone

    Neither here or there. It’s not art house. But it’s not entirely mainstream either. It’s not a satisfying zombie film. It’s not a full on comedy either.

    39

    May 2013
  • Hunterrr

    In its current form, this Hunterrr is more horny than trigger-happy. He just walks around with a gun and rarely fires — except once in the whole film.

    39

    Mar 2015
  • Kaalakaandi

    Director Akshat Verma neither gives the film any freshness and novelty, nor any depth and deliberation. Even the supposed black humour isn’t pert enough to tickle consistently.

    39

    Jan 2018
  • Kesari

    All that has stayed on with me is the landscape—the brown, arid earth pitted against the majesty of the snow-laden, silver mountains. If only panoramic settings could make a good film.

    39

    Mar 2019
  • Ujda Chaman

    The film is also unable to get its tone right. It can’t decide whether it wants to be funny, emotional or romantic or a mix of all. As a result it leaves the audience disconnected and confused as well. Should it laugh, cry or simply tear its hair out?

    39

    Nov 2019
  • Ittefaq

    ...the old Ittefaq, despite you knowing the spoiler, can still hold you in thrall. The new one, despite making a marketing strategy out of a spoiler, just isn’t thrilling enough.

    39

    Nov 2017
  • India‘s Most Wanted

    If the argument is in favour of providing a thrilling experience, the film doesn’t deliver in that department either. There is restraint and there’s boredom — this one falls under the latter.

    39

    May 2019