Marjaavaan
I came away from Marjaavaan bored and exhausted. It’s literally a film with no perceivable merit, and one that begs two key questions: How did this film get made? And why are we being taken for a ride?
Nov 2019
Ujda Chaman
I was bored to death as Ujda Chaman unfolded slowly, verrrry slowly over two long hours.
Nov 2019
The Sky Is Pink
Despite the blatant manipulation, there are moments that left me with a heavy heart, and with a lump lodged in my throat. Still, watching a child’s life cut short should hurt like your heart’s being carved out of your flesh. The Sky is Pink never bruises you with that intensity.
Oct 2019
Chhichhore
The film is all about its characters, frankly, and the hoops they're made to jump. In them you'll likely find traces and memories of your own youth.
Sep 2019
Saaho
The impressively staged but ultimately exhausting action sequences take up the bulk of screen time, but they can’t salvage this soulless film that has all the depth and emotional wallop of a video game.
Aug 2019
Judgemental Hai Kya
While you admire the attempt at originality, you can’t help feeling frustrated at just how it all comes apart in the end.
Jul 2019
Super 30
...is a dramatized, ‘Bollywoodized’ version of a true story, complete with too many songs, caricaturish villains, a deafening background score that cues every emotion, and the kind of rousing dialogue intended to elicit cheers.
Jul 2019
Kabir Singh
...is an unmistakably misogynistic film, but the sad part is that it’s exactly these troubling portions that the filmmakers peddle as intense love. Even more sad is that there will be many who’ll buy into it.
Jun 2019
Bharat
...is exhausting and pointless. It exists only to add to the legend of Salman Khan as the selfless provider, the man who has a heart as big as his biceps. In Bharat, Salman Khan plays Bhai.
Jun 2019
De De Pyaar De
...watching De De Pyaar De is a frustrating experience because while there are things to admire, including the unconventional ending, there is no escape from the lazy stereotypes, the simplistic moralizing, and the episodic, sitcom-style screenplay.
May 2019
Student Of The Year 2
...is both predictable, and far from original. But that’s not even the big problem with the film. Unlike the previous instalment this one isn’t grounded in emotion, so it’s hard to be invested in the characters or affected by their conflicts.
May 2019
Kalank
...is ultimately tiring and heartbreaking even. You can see the talent on screen. If only there was a sharper script to harness it.
Apr 2019
Kesari
...is well-intentioned but bloated. It’s a two-and-a-half hour battlefield bluster that could have done with sharper writing and judicious editing. When the lights come back on in the end, you can’t shake off the feeling of having survived war yourself.
Mar 2019
Mard Ko Dard Nahi Hota
Vasan Bala hits the high notes frequently, even if the film doesn’t quite fall into a seamless symphony.
Mar 2019
Photograph
The writing doesn’t pack the emotional urgency of The Lunchbox, and the characters aren’t as compelling. There is a delicate quality to the central relationship but it never takes flight. Batra keeps the story on slow-burn; how you wish he’d stirred things up from time to time.
Mar 2019
Badla
The film doesn’t pack the wallop that Kahaani delivered, but it’s a respectable enough thriller that seldom loses grip of its pace or your attention.
Mar 2019
Luka Chuppi
It’s allegedly a comedy but it delivers at best a handful of decent laughs, all in the second half.
Mar 2019
Total Dhamaal
I want to say here that I’m not against comedies that require complete suspension of disbelief. But even that requires thought, clever writing, and a lightness of touch. Total Dhamaal has none of those things.
Feb 2019
Ek Ladki Ko Dekha Toh Aisa Laga
...is a respectable directing debut from Dhar, and a film with its heart in the right place. The writing ought to have been braver.
Feb 2019
Why Cheat India
It’s a shame you leave the cinema bored and underwhelmed because there was potential here to make a smart film about our flawed education system – one that encourages mugging and rote learning over understanding; one that values a degree over real aptitude. A system that drives students and their parents to seek dangerous, unhealthy shortcuts. Some of that is addressed but it’s not really what the film is about.
Jan 2019
Uri
Ultimately there’s a lot to admire here, but because it can’t shake off its unmistakably filmi sensibility – which is inherently at odds with the no-nonsense tone it aspires for – it proves thrilling only in parts.
Jan 2019
The Accidental Prime Minister
The film is a hatchet job that looks like a hatchet job. It’s all so incompetently staged there were times I felt I was watching an MTV spoof.
Jan 2019
Zero
Shah Rukh Khan is especially entertaining in the first half while the script stays on track. But in the end it feels as if the makers threw everything at the wall and decided to see what sticks. Unfortunately, very little does.
Dec 2018
Kedarnath
...ultimately falls short of living up to its promise, but I was happy to visit its world. The imagery is overwhelming, even if the writing feels laboured.
Dec 2018
2.0
...director Shankar marries social message with grandiose tentpole filmmaking, and the result is an overlong, seldom subtle but always watchable movie that knows its strengths and plays to them.
Dec 2018
Pihu
It’s neither a compelling cautionary tale about bad parenting or a sufficiently responsible thriller. The film revels in making you flinch and squirm and cringe. That’s just mean-spirited.
Nov 2018
Thugs Of Hindostan
...for the most part Thugs of Hindostan is a humourless, solemn affair.
Nov 2018