An archive of Hindi movie reviews and ratings from 2010 to 2020.

publication

Mumbai Mirror

Highest rating for
Lowest rating for
Number of reviews
869
Average rating
44

Order by

Date

Title

Rating

  • Parched

    She (Leena Yadav) layers her characters with a delicious mix of pain and pleasure but tries a bit too hard to seek empathy for them.

    59

    Sep 2016
  • Panipat

    Ashutosh Gowariker has Sanjay Leela Bhansali to blame for elevating the scale and cinematic impact of battle sequences. Gowariker ticks all the boxes but struggles to conceptualise out-of-the-box stunts or sequences that could potentially throw us off.

    59

    Dec 2019
  • Panga

    ...is refreshing. It’s a story that could be just as effective and inspiring if it were set just about anywhere. And it works for drafting relatable moments that offer a subtle yet distinct shift in sensibilities.

    69

    Jan 2020
  • Paltan

    A dialogue in this film goes ‘heroes don’t choose their destiny, destiny chooses them’. But if you were to pick Paltan, be rest assured, your destiny is doomed.

    39

    Sep 2018
  • Paharganj

    While seedy underbellies have and will continue to fascinate filmmakers across geographies, the audience has seen enough to not be fooled by films that trade sex and drugs for an actual plot.

    29

    Apr 2019
  • Padmaavat

    Following the noise around this film, one can't help but scrutinise it for objectionable depiction. But even if Bhansali suspends reality in his immersive world, it's a strike from reality we'd like to hold on to.

    69

    Jan 2018
  • Pad Man

    ...it barely alters the squeamish attitude many hold against the routine discomfort biologically assigned to all womankind. And this is where R Balki slips. It was a noble cause for sure, if only the makers would have soaked up some of the melodrama.

    49

    Feb 2018
  • Paathshaala

    ...a film which deals with the rampant commercialisation of education, clearly a good subject, except that it is poorly written and directed, without imagination or flair.

    19

    Apr 2010
  • One Day

    The Equaliser-like premise offered promise, but exaggerated performances, clichéd turns and inability to flesh out the idea, eliminate any possibility of being thrilled.

    29

    Jul 2019
  • Ok Jaanu

    Retelling a story in another language means being sensitive to the nuances of the recipient language as not everything will translate precisely, something that wasn't taken into account here.

    49

    Jan 2017
  • Noor

    ...this one's a bit too ambitious for a film with zero vision. The issue is that Noor stands for everything and sits down for nothing in particular.

    49

    Apr 2017