An archive of Hindi movie reviews and ratings from 2010 to 2020.

publication

The New Indian Express

Highest rating for
Lowest rating for
Number of reviews
284
Average rating
47

Order by

Date

Title

Rating

  • Kedarnath

    Abhishek Kapoor melds two difficult subjects — interfaith romance, natural calamity — while working within a moderate budget. The writing is clunky and the payoff unearned, and everything feels like a drag at the two-hour runtime. The execution hurts the most.

    39

    Dec 2018
  • Kai Po Che!

    Abhishek Kapoor’s adaptation shows what fine acting, good direction, and a well-crafted screenplay can do with a novel that I cannot imagine having been well-written.

    69

    Feb 2013
  • Kaamyaab

    Modestly made, it’s a gentle, light-hearted stroll through Bollywood, a tribute to the numerous nameless faces surrounding its hallowed stars...

    79

    Mar 2020
  • Kaagaz

    Satish Kaushik is one of our steadiest actor-directors, thriving especially in mainstream fare. But the social realism of Kaagaz largely eludes him.

    39

    Jan 2021
  • Junglee

    While it is undoubtedly a decent watch, Junglee needed more madness, more unadulterated fun, and... obviously, more of those cute elephants, making themselves comfortable around a high-flying Vidyut.

    49

    Mar 2019
  • Jugni

    ...turns out to be a well done short film padded up to be a feature. But it is still one of those unique efforts in this age of heroes because all the characters are delightfully flawed.

    59

    Jan 2016
  • Jhootha Kahin Ka

    Comedies like Jhootha Ka Nahin are horror  in today’s age. Their ‘error’ isn’t derived from characters double-dealing each other, but in filmmakers thinking they can double-deal the audience.

    19

    Jul 2019
  • Jalebi

    Filled with laughable coincidences, a penchant for melodrama, and an unnecessary romanticisation of love and heartbreak, Jalebi fails to make any sort of impression on you.

    19

    Oct 2018
  • Jai Ho

    Sohail has spun a credible and often compelling anti-corruption yarn that succeeds in justifying the need for Salman's stardom to monopolise the entire length and breadth of the footage. His rhetorical rowdyism brings the house down.

    79

    Jan 2014
  • Jabariya Jodi

    Hindi cinema needs to get real about getting real. It is exploitative to borrow a milieu and short-change its people. Such meanness belongs in politics, not art.

    29

    Aug 2019
  • India‘s Most Wanted

    We don’t know who these officers were, and how many lives were saved because of their bravado. But, what’s the probability that despite Indian cinema churning out such films regularly, we won’t quite remember these sacrifices? High, sir. 

    49

    May 2019