An archive of Hindi movie reviews and ratings from 2010 to 2020.

publication

India Today

Highest rating for
Lowest rating for
Number of reviews
575
Average rating
47

Order by

Date

Title

Rating

  • Housefull

    This is Sajid Khan's strange universe where gay jokes abound, wife swapping makes for humour, and innuendo is rife. Where the language is coarse and the humour in-your-face.

    39

    Apr 2010
  • Hope Aur Hum

    ...barring a few amusing moments where the characters come alive, Bandyopadhyay struggles to maintain the feel-good temperament or make his characters endearing. Hope aur Hum ultimately lacks purpose.

    29

    May 2018
  • Hindi Medium

    ...may use over-dramatised events to make its message hit home, but in spite of its hiccups, the film is not bogged down because of the performances and the humour.

    59

    May 2017
  • Highway

    Writer-director Ali tries giving a deeper subtext to the kidnap drama through Veera. The abduction aftermath has a life-altering impact on the girl. The subtext doesn't work because it cuts down the film's pace as it unfolds and confuses the viewer.

    49

    Feb 2014
  • Hichki

    Rani Mukerji is delightful as the enthusiastic teacher with a never-say-die spirit. Hichki rests on her shoulders and she does not let it falter.

    69

    Mar 2018
  • Heroine

    Madhur Bhandarkar, toasted for the heroine-oriented scripts he creates, has just given us his weakest female protagonist yet. That itself lays bare the irony about the film titled Heroine.

    49

    Sep 2012
  • Hero

    Hero is a debut film that makes Saawariya and Student of the Year seem good movies. That says a lot about the film itself.

    29

    Sep 2015
  • Hamid

    The scenes between Dugal and Reshi, low on melodrama and high on intensity, are heartbreaking to behold. Bohot hard that you’d need to keep those handkerchiefs ready.

    59

    Mar 2019
  • Hamari Adhuri Kahani

    With a foreboding title like Hamari Adhuri Kahani, the real tragedy of this romance is that the tears never come. Instead audiences find themselves whinging at the events on screen.

    29

    Jun 2015