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Haraamkhor
Critic reviews and ratings
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Brave and original, Haraamkhor walks the razor’s edge. One tiny mistake, and it could have been pronounced morally twisted. Some may call it immoral even now.
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The film is like a diamond; the more you notice, the more you find imperfections which make it all the more beautiful, all the more perfect.
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This film is insightful and dark, a certified entry into the indie and art cinema stable. If you like your films to be gritty and real, Haraamkhor is a real mean machine.
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...shows a lot of promise but ends up being way too vague to be hard-hitting.
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He stands out by showing the issue of sexual relationships with minors in the most beautiful and romantic manner. Shlok remains successful without overcomplicating the story.
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Now this is the sort of movie that takes some getting used to, before you can fully dive into the experience.
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...may not be a film that sets a cinematic benchmark but it is an important one as it dares to explore a forbidden subject, without condemning or legitimising it.
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This is such fearlessly new storytelling, it takes getting used to. But it's a story that needs to be told.
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A distanced view of a taboo relationship goes off the rails in search of a neat resolution.
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...may not appeal to the regular Bollywood audience but if you’re a Nawazuddin Siddiqui fan and love watching performance-oriented films, this shouldn’t be missed at all.
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...with its unadorned, unflinching treatment, Haraamkhor is a difficult film to shake off.
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It’s a compelling story and for the most part it’s well told.
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Despite the jerks, Haraamkhor is a strong debut. Shlok Sharma has an observant eye and the ability to empathise with even the vilest among us. That should hold him in good stead.
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...isn't a ground-breaker, but it certainly is worthy of applause for its fearlessness and for the impressive quality of the acting.
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Haraamkhor is Siddiqui's film. We watch it for him. We watch it for what he can do and what more he is capable of.
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I didn’t feel for any of the characters and I was let down by this emotional disinterest.
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...despite some strong moments, the film suffers from slightness and disjointedness: did the censorship process snip off more than we could chew? Was there more? A second film from the clearly talented Sharma will give us a clue.
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Haraamkhor’s characters are supposed to have shades of grey, but their blandness can never be mistaken for maturity. About the most shocking thing about this major-minor affair is its sloppiness.
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After the insipid scripting, the lack of connection of Nawaz and Shweta with the audience becomes the movie's biggest drawback.
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