Veer
Cast:
Jackie Shroff, Lisa Lazarus, Mithun Chakraborty, Salman Khan, Sohail Khan, Zarine Khan
Director:
The saving grace of the film is its pace. And the action scenes that make you watch the film till the end.
You have to be a braveheart to watch Veer.
If like me, you can find delight in the sheer delirium of a bad Bollywood film, then see Veer, otherwise do catch it on DVD. In a few years, this sensibility and swagger will be extinct.
Salman has taken a gamble, it's now left to be seen how the audience reacts to this fight to get the British out of India. Somehow, I get this feeling that the dice is loaded in favour of Veer Salman!
...there's nothing left to hold your attention in this prolonged misadventure that loses a lot due to a tardy screenplay, a headless script and an old-fashioned direction.
...a must for all Salman Khan fans - he delivers an inspired performance and keeps you interested in the proceedings even when the story doesn't.
...the director has miserably failed to lift the film from its mediocrity despite of having the best stars and a big budget to mount his extravaganza.
One expects to see lavish war scenes with a scintillating fight to the finish. The screenplay builds up to it but fails to deliver the coup de grace.
This is what a vanity project looks like. And it's not pretty.
Salman is the last Khan standing. It makes not a whit of difference to him and his directors that the space for retrofitted 70s packages has shrunk to nothing...
The director does have a signature of sorts (hyper-commercial with a penchant for kitschy sets and sweeping outdoor locales). Here that is wasted on a period piece that has little else to hold it together but Salman Khan’s physique and hair extensions.
I don't know about bravery and courage, but I recognize the attempt in making an epic entertainer and I see partial success. Unfortunately, only partial. And yet, Salmaniacs can rejoice!
Watch it if you're a die-hard Salman fan. It's an epic-sized period film with tacky special effects. Unacceptable in these times.
This clearly is Wanted in a period setting, and if you are a Salman Khan fan, I guess you would want to catch it. On second thought, if you really are a Salman Khan fan, you wouldn't care for my opinion, would you?
It’s too long, too bland – and yet, this muscular throwback to a yesteryear cinema culture isn’t without its occasional pleasures.
is about a warrior and at the same time, it's a love story too. Sadly, neither does it evoke any patriotism, nor does the love story make your heart go dhak-dhak.
Veer, mounted on lush production values, shows you everything in hyperbole: the costumes and jewellery, the battlefield, the body count, the unattainably beautiful princess, and the comic-book style hero.
...a father-son story, a love story and a story about sacrifice and patriotism but at the end, it is just a joke because of its laughable and ridiculous happy ending and poor execution.
...this apparent period film owes its origins less to the genre Hollywood movies. It belongs more to Bollywood of back in the day: a song designated for smokers every few minutes; crispness, hardly a narrative virtue; three hours, the accepted clock-time.
...gets details of the period and locations in place. But the inner conviction and a genuine passion that made Anil Sharma’s Gadar: Ek Prem Katha so special are completely absent...
It's a film so dated it hurts. Imagine Manmohan Desai's atrocious Mard, but minus Mr Desai or Mr Bachchan. Yes, that bad.
...doesn’t have is any kind of a script or a director, forget about any other related sense or sensibility. The film is a brutal assault on all your senses...