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Teri Meri Kahaani
Critic reviews and ratings
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...is uncomplicated and charming. Not the usual romantic fare, this one presents three different stories in three different eras without getting theatrical or melodramatic.
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...the script lacks depth and fails to ignite enough passion or chemistry for a love story. It's not devoid of romance, cutesy conversations and sweet-somethings; but there are no highs, lows, conflicts or complications that make you gush, or give you gooseflesh.
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...holds your attention whether it’s the writing, storytelling, or the technical aspect. It’s a popcorn cruncher, but that’s also fairly intelligent and hearty.
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...has no hook to make it even a near-unique experience.
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Kohli dilutes the chance of a wholesome, affable entertainer down by his predilection for risk-free conclusions.
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...fails to find a USP simply because the three love stories it narrates aren't altogether new.
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Whose story, make that stories, and to what real end? That is the question that Teri Meri Kahaani leaves the audience with. The answer isn’t even worth looking for.
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Both Shahid and Priyanka give it their best shot, but their charm doesn’t make up for the absence of a genuine kahani.
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...doesn’t work despite potential in the premise. It feels soulless and superficial, and is unlikely to find many fans.
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...can well be called a Mausam sequel as film has the chances of turning into a debacle as deafening as the previous film itself.
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...the film's main ingredient love is too synthetic to soar.
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The song situations are absurd, the writing is mediocre and funny when it's not supposed to be, there's hardly an original idea, and the performances are on auto-pilot...
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The pace of the film becomes its biggest peeve: it is slow, there’s absolutely no character development and gets boring after a point.
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...could have worked better if all energies were used in making one perfect love story rather than having three faulty ones.
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Whatever prompted or inspired this so-called 'thrice upon love story'? It is replete with run-of-the-mill ideas that we have seen since decades in Hindi filmdom.
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...there is not one jot of freshness in either the idea or the execution. So it makes no difference if it is kal aur aaj because the lead pair can conjure up nothing new...
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...doesn’t have a point to make with these three stories except that 'love rocks'.
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Long, laboured and pointless, Kohli fails to place his gorgeous actors in a credible story.
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Cosmetic and superficial, Teri Meri Kahaani is filled with cliche's and a misplaced heart that depends on its sets and costumes to tell its story.
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There's nothing aggressively bad about it, but there's nothing good either - and there's something frustrating when a film that could amount to something ends up being nothing.
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...is not only plain boring, but it also lacks imagination.
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