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Super Nani
Critic reviews and ratings
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A complete family entertainer and a feel-good movie, although it offers nothing new.
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...a wholesome family fare, which can be watched once... only for Rekha.
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Obviously, director Indra Kumar is stuck in a time warp. As are his lead characters, his writers and everyone else who is associated with this hackneyed movie.
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A preachy and mawkish drama about a woman neglected, scorned and tormented by her own oafish family, Super Nani makes its pro-women's empowerment statement with the finesse of a bulldozer run amok.
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...tacky, unintentionally hilarious film that seems to have shown up roughly 30 years after its expiration date.
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...so behind its time.
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A shrill family melodrama whose essence is lost in execution.
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...is a film which may have worked 20 years ago, but today its a no-brainer where it stands against its more superior contemporaries like English Vinglish.
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...sitting in the twilight of 2014, the film delivers the farcical ‘pati parmeshwar’ message with such conviction that it makes you doubt the calendar.
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...welcome to the regressive world of the director, This time he makes a volte face and decides to put us in a time machine and take us back to the dark ages.
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...an unpalatable mash-up of Baghban, Khoon Bhari Maang, and the regressive portions from English Vinglish. Yup, that's right. Run the other way.
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How regressive can you get?
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...loud, badly planned and lousily executed.
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Mawkish, preachy and contrived, Super Nani is a tiring watch.
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...a special kind of awful.
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The only take-away from the film is that Rekha is as beautiful, as vivacious and super talented as ever and that our writers should really think of giving her meaningful roles that suit her stature.
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Mr Kumar has created a world that will instantly take you back to the regressive ways of the 18th century-the kind of attitude you battled to break norms and set the stage.
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Every once a week comes a movie that makes all the bad ones of the rest of the week seem like Citizen Kane.
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Plain trash, early '90s style.
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