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Aisha
Critic reviews and ratings
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Sweet love, substantial performances, super fun, slick 'n stylish, Aisha is a-ha stuff.
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...lacks the depth of passion and that could be because the makers were trying to make something lighter and breezier. Sweeping the minor complaints aside, Aisha is watchable for two factors mainly: Neat performances, especially by Sonam Kapoor and Amit Trivedi’s super musical score.
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It’s so rare for a film to get it all together: from the story, to the performances, to the atmospherics, to the music and more.
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Watch Aisha for its simple storytelling. It’s also got the heart of a classic.
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Beautifully shot and packaged with a fabulous soundtrack and superlative ensemble cast, Aisha, quite often, gets caught up in a self-created tangle of brand-led vanity to ever let one get acquainted to its leading lady.
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In sum, despite its directorial flaws, Aisha merits a dekko.
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The lilting musical scores and glossy, stylish look should help it sustain at the box office. A good fare.
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It's trashy but it's beautifully trashy.
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Engaging and endearing Aisha makes you wonder if there’s anything more important in the world than finding the right match.
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...so much emphasis is given to the look of the characters and the feel of the film that the story takes a beating.
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What starts as a cheerful chick flick sadly ends up being a lame love story.
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...works to an extent. The slow pace is the films major flaw.
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Director, Rajeshree Ojha has decent intentions but Aisha fumbles and stumbles downhill.
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Without an endearing story, this chick flick Aisha simply doesn't click.
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There's good shallow, and there's bad shallow. 'Aisha' is strictly in-between shallow.
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It's like a pretty flute of champagne, but it loses its fizz far too quickly.
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...looks like a catalogue for the season's trendiest wear than an entertaining adaption of the Jane Austen novel.
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Direction is a bit lacklustre, but sparkling cameos, natty styling and fresh peppy music save the film somewhat.
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The atmospherics is complete. The intentions aren’t off the mark. You may like to voyeuristically share a rich experience (with the film’s cast, or crew, in this case). You only wish this sense of outdoor adventure could conceal the blandness of the drama within.
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The film lays a huge stress on its style quotient, which is quite pertinent to the subject. However, thinking that the high style can substitute for substantial writing is a huge folly.
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