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Mirch
Critic reviews and ratings
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...is fun to sit through. It could've solely stood tall on the clever stories. But lovely performances and to-the-tee casting only add to the entertainment quotient.
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...turns out to be one of those half-cooked exotic dishes, more tempting for what it promises than actually delivers.
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Even as the women seem to be enjoying themselves with their unbridled expression of their sexual needs, the film tends to view them as the traditional not-to-be-trusted temptress. Overlook that and you can enter a world where women indeed are full-bodied flesh and blood characters.
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...is worth celebrating because it breaks the accepted conventions of what women can or cannot do.
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The four short films, fable-like, with fine actors, eventually turn out to be utterly simple and instantly amusing.
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...is not spicy enough, specially since it’s from the land of Kamasutra, but considering our blinkered approach to sex, it's a welcome effort and definitely worth seeing.
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Some neat writing and fine execution makes Mirch just about palatable. But it falls short of a satiating experience.
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Shukla deserves to be applauded for skilfully portraying so much 'hot' stuff without making it look vulgar.
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...is a sexy idea that doesn’t quite come to fruition.
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...a good showcase for the yet undermined talent of its lead actors. While the women are on top, the movie is a little ho hum like missionary.
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...has its fun moments and a few laughs. With a lighter treatment it may have been a real rib-tickler.
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...a delicious idea that unfortunately doesn't translate into a sumptuous film.
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Shukla aims for a lighthearted tone that come and goes, and it's his lamentably little-seen cast that grabs and holds our interest
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...a reasonably fun film about infidelity that's neither chauvinist nor feminist, or perhaps both!
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...blends the serious issue of gender equality with the comic flavour of the film well, at least in the first half. But it's the post-interval portions that act as a downer and in turn...
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The director seems to be bogged down poor writing in the second half of the flick. First half is good and the lighthearted manner of treatment wins the heart of audiences.
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While the idea is solid, it is flawed. The tales of stolen pleasures don't work in the end.
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...a film that uses that most primal of acts in the most leaden of ways.
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