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Tees Maar Khan
Critic reviews and ratings
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Caution: Absurdity, illogicality and buffoonery scale new altitudes...
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...it's no brainer, meant for entertainment of the masses and largely succeeds in that.
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...has too many highlights forget the logic and watch it.
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...great unpretentious fun.
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...has colour, humour, pace but nothing does seem to fall in place in terms of plot and character connect.
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The film isn't exactly unbearable, but falls way short of expectations.
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It's an oddly half-hearted film from a woman who is never known to do anything in half measure.
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the film has major flaws in treatment. A story which has immense possibilities of comedy is reduced to actors trying buffoonery - something often mistaken by filmmakers as guaranteed laughter.
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In Tees Maar Khan, everyone is overacting as though life depends on it. There is a lot of screaming, grimacing and heaving.
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So obnoxious is the film along with its stars Akshay Kumar and Katrina Kaif that the subtle points that Tees Maar Khan seems to make, come across as completely accidental.
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Director Farah Khan will stop at nothing to get a laugh out of you. No disability is too sensitive to make a joke of, and no stereotype too overused to flog one last time.
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From Farah Khan it is a letdown, mainly because one expected better from her.
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Parody of the medium is legitimate, but when it substitutes for content, you have to ask-is the mind of the maker no more than a blank slate?
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...a classic example of a cluttered film in which a hodgepodge of characters incoherently jabbers ludicrous dialogues building up an odd plot that just refuses to make any sense at any point of time.
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Every actor, every character -- the leads, cops, criminals, even the vast supporting cast and extras -- appear to be idiotic caricatures. The premise of the film -- although taken from After The Fox -- the writing, and dialogues emphasise and celebrate stupidity.
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How you miss Farah Khan's feather-light touch. Here every point and joke is bludgeoned into you as if you were too dimwitted to catch the PJs. For heaven's sake, please don't treat the audience as toddling ninnies.
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...marks a clear and steep slump in Farah's short filmmaking graph.
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...is hobbled by poor, tasteless writing, and a leading man who seems to have lost his sense of comic timing.
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...is full of just stupid incidents zanily stitched up with elaborate songs in between.
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...a relentless assault on your senses. Is this really the Farah Khan who gave us the smart and funny Main Hoon Na and Om Shanti Om?
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...an utter disaster.
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...never-ending hit and mess. It's one thing to repeatedly make 'nudge nudge wink wink' sort of ironic nod to films or 'filmies'. It's quite another to know nothing else.
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Farah Khan used to be effortlessly fun. Now she’s holding a gun to our head and demanding that we laugh. The difference is dismaying.
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