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Welcome 2 Karachi
Critic reviews and ratings
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What stands out in this film is the fairly intelligent writing, which includes a few uproariously funny dialogues, and which belies the writer's (Vrijesh Hirjee) fair understanding of the current political scenario.
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There is a clear sense of a welcome being outstayed, and yet another instance of comedy creators having so much fun amongst themselves that they forget that they’re at the movies, rather than a jam session.
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...has no definitive momentum as it keeps oscillating between funny, average and dull moments.
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...it is all good-natured and appropriately silly, so ‘Welcome 2 Karachi’ stays watchable.
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It's an average fare which could've been far better had its meanderings been trimmed.
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...the film is worth your time for the unique story, performances and some genuine laughs.
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...a warm, idiotic outing to do nothing except tickle and lionise every stereotype on the other side of the border for our oafish desi jollies.
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...isn't hilarious but has sparks of brilliance and is worth a watch.
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This one is all over the place.
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...you get a painfully stretched, horribly repetitive and only fitfully (very fitfully) funny adventure comedy that has no idea where its mind is. Or its heart.
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Riddled with clichés posing as jokes, this comedy of a dumb duo is hard to watch.
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The film's plot and direction go haywire right from the word go.
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...is more of a dumb attempt to extract some cheap laughs as opposed to a scathing political satire with subtle undertones.
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..a madcap comedy. The likes where nothing makes sense but grown men act like retards and yet save the world. It’s hard to write a recommendation for such a brainless romp.
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Blatant stereotyping, infantile humor, and lackluster performances are just three of the problems that plague 'Welcome 2 Karachi'...
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Indeed, not a shred of Welcome 2 Karachi, erstwhile Rohit Shetty assistant Ashish R Mohan's second film, is remotely welcoming.
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All the witty one-liners are in the trailer. The rest of the film is tacky with a story line that's all over the place.
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...is a comedy of errors with few laughs and more exasperating sighs.
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The sort of derivative comic slop Arshad Warsi has had to wade through his entire career.
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...seems like an extended version of a gag on a comedy reality show...
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As it stands, W2K’s narrative is looser than the drawstrings on a pair of pyjamas that are falling off their wearer.
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...a sad excuse for screen space...
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Welcome too, nonsense!
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Director Ashish Mohan demonstrates with panache that stupid films are the cornerstone of fine art.
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